XVI: 52 W. Schubert Four Impromptus op. Mendelssohn Prelude and Fugue no. Chopin Mazurka in E flat minor op. Schumann Carnaval op. Franck Prelude, Choral and Fugue P. Tchaikovsky The Seasons op.
Kalinnikov Nocturne in F sharp minor Elegy A. Scriabin Etude op. Saar Selected preludes F.
Bach - Prelude No.2 In C minor from Well-tempered Klavier midi file for Clarinet (midi)
Poulenc 3 Novelettes H. Eller The Bells S. Tubin Selected preludes D. Shostakovich Preludes op. Ligeti Etude no. Sumera Two pieces from the year E. Bach Keyboard Concerto no. Haydn Keyboard Concerto no. Chopin Piano Concerto no. Liszt Piano Concerto no.
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Tchaikovsky Piano Concerto no. Grieg Piano Concerto in A minor op. Rachmaninov Piano Concerto no. Handel Violin Sonata in G minor op. Haydn Piano Trio in G major Hob. Schumann Frauenliebe und -Leben op. Franck Sonata for violin and piano in A major J. Brahms Sonata for violin and piano no. Bruch Eight Pieces for clarinet, viola and piano op. Smetana Piano Trio in G minor op.
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I just learned the piece a few days ago and memorized it since I had heard it many times but never took the time to play it. Actually found some played with the extra measure but the majority without it. While it sounds fine going into measure 23, it sounds quite weird after measure This fact lends some credence to, if not the authenticity, then at least the appropriateness of the included measure.
Harmonically it is a minor major seventh. I include it when I play the prelude.
I bet that Bach would not have minded it. I do agree with Phil Edwards — and i could add a question to this type of debate: Why is the scene of classical music so dominated by musical fundamentalists? You are only killing it with all these false claims to authenticity. Music is not for museums, it has to live in the present moment — that is what makes it classical in the true sense. In my opinion serious musicians must always make their own interpretation of classical work — also if that means changing elements like bars, harmony, rhythm etc.
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Henle Verlag e. The spam check uses Antispam Bee. Details on the storage of your data and your rights on how to revoke your agreement to data storage can be found in our Data policy. You are welcome to use pseudonyms. Your email address will not be published. Your email:. Skip to content. If the extra measure were actually to be included in the prelude — and that is to be discussed — it would have to be between measures 22 and Browsing the Internet a bit, we can confirm that indeed this fateful insertion is still causing confusion.
Our Urtext edition of the prelude clearly presents the facts: The footnote asterisk between mm. For this reason no one need be seriously on the lookout for the lost measure! Bookmark the permalink. April 15, at pm. Tobias Ray says:. November 2, at am. Peter Barber says:. April 24, at am. Thomas I. Ellis says:.
The Well-Tempered Clavier, Book II, Prelude & Fugue No.1 in C Major, BWV 870 Lyrics
October 25, at am. Stefan says:. July 30, at am. Phil Edwards says:. October 2, at am. Who cares? Play it one way one time, and the other way the next time. Waldemar says:. December 31, at am. David says:.
March 14, at pm. March 23, at pm.
Bach - Prelude in C major BWV - Yang, Guitar
Jeppe Loshak says:. February 10, at am. Kevin Traynor says:. September 11, at am. Johan-Martijn Flaton says:. July 22, at am.
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Related Prelude No. 2 in C major
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