This class addresses rape-culture throughout the world, with a focus in understanding its affect on western culture.
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We will also learn various tools to help us problem-solve overcoming rape-culture, and learning how to end it in our own communities. This class will also teach you to see how you have fallen victim, or contributed, to rape-culture For this class, you do not need to bring anything. Add to Calendar. View Map View Map. Find out more about how your privacy is protected.
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REBEL IN VENUS: The Workshops:ENDING RAPE-CULTURE
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International Rebellion: Worldwide
First Name. Last Name. Email Address. The four most common types of triad chords are major, minor, diminished and augmented. This page from Rice University gives a pretty decent explanation of how triads are built. In a diatonic major scale, the scale degree-based chord breakdown looks like this: I-ii-iii-IV-V-vi-vii dim -I. For a more fully explained breakdown, look here.
In popular music, chord progressions tend to be a little bit more repetitive, and they can range from the most simplistic to much more complicated. The Roman Numeral "Toolkit", as my grad school theory teacher referred to it, can be used to describe a chord progression. Most cadences follow the pattern of V-I or IV-I, especially in popular music, but of course, not all.
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Think Bon Jovi's "Livin' on a Prayer". Different types of modulations are explained in a theory-heavy but easy to use chart found here thanks UTEP! A vast majority of Western music is composed in Ionian Mode, which describes a typical diatonic scale.
Think of an Ionian Mode scale as "do re mi fa sol la ti do". As mentioned, most Western music operates in Ionian Mode and the harmonic functions thereof. However, in this blog, you'll find investigation of popular songs that do not operate in Ionian Mode. Dorian Mode begins on the second scale degree; "re mi fa so la ti do re". Phrygian Mode begins on the third scale degree; "mi fa sol la ti do re mi".
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Lydian Mode begins on the fourth scale degree; "fa sol la ti do re mi fa". Mixolydian Mode begins on the fifth scale degree; "sol la ti do re mi fa sol". Aeolian Mode aka natural minor begins on the sixth scale degree; "la ti do re mi fa sol la" Locrian Mode begins on the seventh scale degree; "ti do re mi fa sol la ti".
Meter is the indication of how many beats are in a measure, how the beats in a measure can be grouped, and how the beats can be subdivided. This is also related to time signatures.
Asymmetrical meter refers to meters in which the number of beats cannot be divided equally in half incl.
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